Lecture demonstration
May 13th: 7pm
Introduction and presentation of excerpts of the re-creation
Niedersächsische Landesvertretung Berlin
In den Ministergärten 10
10117 Berlin
LECTURE DEMONSTRATION
12. Juni: 19.00 Uhr
Dramaturg, Dr. Patricia Stöckemann, and choreographer Henrietta Horn demonstrate how they used historical photographs, descriptions and sketches to combine the work into a harmonious group dance piece..
Museum August Kestner
Trammplatz 3
30159 Hannover
Perfromance
June 18th, 7.30pm
Theater Osnabrück
Domhof 10/11
49074 Osnabrück
In 2019 the Bauhaus celebrates its 100th anniversary and is the occasion for the three-part dance evening BAUHAUS | BOLERO at the Stadttheater Osnabrück. It opens with the reconstruction of Mary Wigman's group work DIE FEIER (1927/1928). In the mid-1920s, Wigman (1886-1973) not only dealt with the constructivist ideals of Bauhaus artist Wassily Kandinsky, but also with the theatrical experiments of the Bauhaus stage. Looking back, she wrote about DIE FEIER: "The absolute harmony of color, form, and line, of body and spatial rhythm, has hardly been as successful as in this work. As with Wigman's works "Le Sacre du Printemps" (1957 - 2013) and "Danse Macabre" (1921/26 -2017), Henrietta Horn and Susan Barnett are responsible for the recreation.
DIE FEIER (1927/28)
Choreography Mary Wigman
Stage/Costumes Mary Wigman, Elis Griebel
Reconstruction Henrietta Horn (responsible), Susan Barnett
Music Martin Räpple, Wladimir Krasmann after musical themes by Will Götze
Reconstruction of the costumes Margrit Flagner, Susan Barnett
Dance: Dance Company Osnabrück
Bach Contrapunctus RUHRFESTSPIELE RECKLINGHAUSEN
May 15th, 16th & 18th 2019, 8pm
Folkwang Showcases / piano: Matthias Geuting; dance: Henrietta Horn
Ruhrfestspielhaus Kleines Haus
Otto-Burrmeister-Allee 1
45657 Recklinghausen
Folkwang University of the arts/ Neue Aula
Thomas Neuhaus and Henrietta Horn in collaboration with students of the Folkwang University of the Arts
"Like a beast, not so much a monster as a creature that does not conform to any norm, this piece also questions the norms of the interaction of the disciplines with relish. "Untier" continues approaches of earlier works, such as "Kaiserkleider" and "Rotlicht" by Henrietta Horn, or works by the Theater der Klaenge (among others Modul|a|to|r, Hoereographien, Suite intermediale, Vanitas) with Thomas Neuhaus as composer, programmer and co-developer of the interaction concept.
Concept and production: Henrietta Horn and Thomas Neuhaus
Choreography: Henrietta Horn
Composition: Thomas Neuhaus
Light- Videodesign: Reinhard Hubert
Costume: Margit Koch
Dance: Sara Koluchová, Yen Lee, Pierandrea Rosato, Etienne Sarti, Ivan Strelkin
Music: double bass: Endika Rodriguez; flute: Xueqing Wang; live electronics: Thomas Neuhaus
The music of "Untier" was commissioned by the Philharmonie Essen and supported by the Ministry of Culture and Science of North Rhine-Westphalia. The event is sponsored by the Kunststiftung NRW. The Philharmonie Essen is organizing NOW! together with the Folkwang University of the Arts, the Stiftung Zollverein, the Landesmusikrat NRW and PACT Zollverein.
